886 results where found for «Waldo de los Ríos»


A Million Friends (Un millón de amigos)

Music piece by:
Roberto Carlos
Testimony by:
Pedro Mella Contreras
« I was arrested when I was 32 years old, along with approximately 23 other people. »
[...]
« Los Ríos »
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The Apparition (El aparecido)

Music piece by:
Víctor Jara
Testimony by:
Pedro Mella Contreras
« When they took me out to physiotherapy treatment, I sang some verses of the song ‘The Apparition’ loudly: »
[...]
« Los Ríos »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
« Los Ríos »
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Shadows (Sombras)

Music piece by:
Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios
Testimony by:
Juan Carlos de Luján Peralta Aranguiz
« I arrived in this place as a war prisoner when I was 16 years old. »
[...]
« Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios »
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From the Poplars I have Come, Mother (De los álamos vengo, madre)

Music piece by:
Juan Vásquez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band created and conducted by Ángel Parra, performed this traditional Spanish song at the Chacabuco concentration camp. »
[...]
« From the Poplars I have Come, Mother (De los álamos vengo, madre) »
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The Vargas War (La guerra de los Vargas)

Music piece by:
Celestino Carrasco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This old Venezuelan song, written by an unknown songwriter, and that has had many variations, was performed by Los de Chacabuco in during the camp’s weekly show. »
[...]
« The Vargas War (La guerra de los Vargas) »
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The Dance of Those Left Behind (El baile de los que sobran)

Music piece by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
« The Dance of Those Left Behind (El baile de los que sobran) »
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Words for Julia (Palabras para Julia)

Music piece by:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
[...]
« One song went like this: 'La vida es bella ya verás, como a pesar de los pesares, tendrás amigos, tendrás amor, tendrás amigos. Un hombre solo, una mujer, así tomados, de uno en uno, son como polvo, no son nada, no son nada'. (Life is beautiful you'll see, despite everything, you’ll have friends, find love, have friends. A man alone, a woman alone, are like dust, are nothing, are nothing.) »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
[...]
« But, looking at it with different eyes, it also was amusing, because it gave us another chance to sing at the top of our voices the line that goes: “Que o la tumba serás de los libres, o el asilo contra la opresión” (May you be the grave of the free or the refuge from oppression). »
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The Rain is Falling (Scende la pioggia)

Music piece by:
The Turtles ('Elenore'), with new lyrics by Gianni Morandi
Testimony by:
Eduardo René Cuevas
Experience in:
Cárcel de Los Ángeles, September 1973
« This song was a workhorse for the prisoners. Iván Moscoso sang it, accompanied by a guitar, in a powerful and defiant voice, and the most altruistic among us sung along in the presence of the gendarme guards, in a courtyard that was only for political prisoners. »
[...]
« Cárcel de Los Ángeles »
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